Past, Present and Future
Luke Fontana is a well- known and recognized New Orleans jazz photographer whose photographs have been selected as part of the permanent collection of the Louisiana State Museum Jazz Collection and the New Orleans Historical Collection Society. Recently, Luke Fontana became a New Orleans Jazz and Heritage Grant Recipient.
He is producing his latest film titled "Mercy on the Bayou"; which he will submit to the Sundance Festival and the Cannes Film Festival. Luke's collaborating with legendary bassist & Louisiana Music Hall of Fame winner, Ernie Vincent, on a new and innovating Cd! Details coming soon!
Luke is also the founder of www.dumpchinaseafood.org, www.bonfoucablues.com, www..bancorexit.com
Currently residing in the French Quarter in New Orleans, Luke describes himself as a mixture between Paul Strand and Walker Evans with a taste of Henri Cartier-Bresson.
Luke Fontana is a New Orleans photographer, retired attorney, and producer.
Mr. Fontana started his law practice as a civil rights attorney working as a staff attorney in the Algeria Fisher projects for New Orleans Legal Assistance Corporation in 1968 – 1970.
He was responsible for the desegregation of the State Industrial School for Colored Youth notoriously known as Scotlandville. This lawsuit not only resulted in the desegregation of the juvenile institutions in the state of Louisiana in 1968 – 1969, but also resulted in the equalization of funding by the Louisiana State Legislature to the juvenile institutions in the state of Louisiana.
In hearings before United States District Judge Alvin Rubin, Mr. Fontana described Scotlandville as a brutal prison. And the white juvenile institutions as country clubs.
Mr. Fontana became well known as a penal reform attorney. In a class action lawsuit filed in 1969 against New Orleans Mayor Victor Schiro, Mr. Fontana represented, all prisoners in the notorious Orleans Parish Prison, alleging violation of the United States Constitution prohibition against cruel and unusual punishment.
This was the first penal lawsuit, appointing a Special Master, and was written up by the American Bar Association.
In this class action lawsuit, United States District Court Judge Herbert Christenberry ruled in Mr. Fontana’s favor, and ordered the city of New Orleans to improve the conditions of Orleans Parish prison, or face a contempt of court citation Mr. Fontana litigated this case for a period of over 12 years, filing numerous contempt of court violations against every New Orleans mayor, from Mayor Moon Landrieu to Mayor Dutch Morial.
Mr. Fontana was also one of the attorneys involved in the class action lawsuit against the Louisiana State Prison, known as Angola, alleging violations of the United States Constitution for cruel and unusual punishment, and seeking relief from these elements of torture.
The United States District Court Judge in Baton Rouge granted Mr. Fontana’s plaintiffs an injunction, prohibiting the state of Louisiana from inflicting cruel and unusual punishment on the prisoners of Angola the majority of whom were Afro Americans.
Mr. Fontana was well known for his representation of New Orleans police brutality cases against Afro Americans. His most famous case was his handling of Charles Cheatham....the police killing of Mr. Cheatham on Bourbon Street in April of 1975 by New Orleans police officer Stephen Reboul.
The jury in Louisiana Civil District Court in New Orleans, Judge Tom Early presiding, granted Sheryl Cheatham, widow of Charles Cheatham, and her young son, an award of $619,000.
This was the first time any large award was granted against the New Orleans Police Department for killing an Afro-American. It was the first time in New Orleans, the NOPD blue line had ever been cracked. Mr. Fontana played a key part in cracking this case. At the last second on the second day of the jury trial, Mr. Fontana was able to produce Ronnie Lee Watson, a key witness to the cold-blooded murder shooting of Charles Cheatham by Stephen Reboul.
By his own testimony, Ronnie Lee Watson testified that members of the NOPD threatened to kill him, if he was ever discovered again in the French Quarter of New Orleans.
One witness that repeated the police killing storyline was found dead in Lake Pontchartrain 7 days later with five bullet holes in his head.
In spite of all these obstacles, Fontana pulled Ronnie Lee Watson out of a hat, and broke the NOPD BLUE LINE.
This award of $619,000 was reversed in the Louisiana. Fourth Circuit Court of Appeal, Judge Peter Beer residing.
Peter Beer was an ex New Orleans city councilman, and it became evident his decision was likely to protect the purse strings of the city of New Orleans, whom he once represented as a city councilman.
The Louisiana State Supreme Court, Judge Pascal Calogero presiding, reversed this unfair and prejudicial decision of Peter Beer’s Fourth Circuit Court of Appeals
After appeals, writs to Louisiana State Supreme Court, accumulating legal interest, the final judgment in the Charles Cheatham case came out to $800,000, which the taxpayers of New Orleans were obligated to pay.
In spite of this, Stephan Reboul remained on the New Orleans Police Department under the administration of Mayor Ernest Dutch Morial, the first Afro American elected mayor of the city of New Orleans.
NOPD officer, and now accused killer cop Stephen Reboul, was part of the New Orleans Police Department raid that killed four Afro American Algiers residents. This raid is known as the Algiers massacre. Steven Reboul shot Cheryl Singleton, while she was in the bathtub with her 10-year-old child nearby.
Luke Fontana is presently working on a script titled JAZZ FUNERAL FOR DEMOCRACY.
This jazz funeral script revolves around the shooting death of Charles Cheatham, and Mr. Fontana’s personal life experience of this horrible New Orleans Algiers massacre.
Mr. Fontana is a producer of 16/ 30-minute television programs, produced with the cooperation of Cox cable television network 5. These programs were titled SAVE OUR WETLANDS ECO NEWS, and were funded by a municipal grant from the city of New Orleans. These videotapes are presently being put into a digital file by the history department of the New Orleans Video Access Center (NOVAC).
The SOWL ECO NEWS programs are of great historical value. Many programs feature the Second Great toxic March that was organized by the Gulf Coast Tenants Association, led by community organizer Pat Bryant.
This march started at the historic Congo Square, now known as the Louis Armstrong Park, and went over the Mississippi River Bridge all the way through that area known as Cancer Alley. The purpose of the March was to expose what is known as environmental racism by the huge industrial polluting Chemical plants, located in minority Afro American communities, lining the Mississippi River.
The chemical plants are thought to be responsible for countless cancer sickness and death in the small Afro American towns where these plants are located. Governor Bobby Jindal greatly expanded these chemical plants in Louisiana, granting them huge tax subsidies, which greatly caused Louisiana to have one of the biggest budget deficits in her history and for Louisiana to lead the rest of the nation, and the highest rates of cancer, especially among Afro Americans in that area known as Cancer Alley..
This 2nd Great toxic March filmed by Mr. Fontana features speakers like ex New Orleans Mayor Marc Morial, and the most respected and be loved Louisiana State Representative, now deceased Reverend Avery Alexander.
One major focus of the Second Great toxic March was to expose the proposed Formosa chemical plant to be located on one of the last green belts, remaining in cancer alley. This Formosa group was run out of Texas by state authorities as being "environmental outlaws".
Because of the publicity and public outrage that the Second Great toxic March generated this Formosa chemical plant, scheduled to be constructed in the small Afro American community of Edgard, was forced to cancel their plans.
Mr. Fontana is in the process of turning these 16/30minute programs titled SAVE OUR WETLANDS ECO NEWS PROGRAMS, using master tape into digital files generated by NOVAC.
Mr. Fontana hopes with some assistance; he might be able to crack into social media and have these very historical programs viewed by many millions on a global scale.